Another new song, from my forthcoming record. CLICK HERE to listen or buy. xoxo (photo by Ada Langford)
Another new song, from my forthcoming record. CLICK HERE to listen or buy. xoxo (photo by Ada Langford)
They are all eating a continental breakfast. Everyone on my side of the plane, at least.
It appears to be a hyper-sugared granola
a couple of pastries that look like the two guys that thought they were gonna get there but at 5AM are merely commiserating as they arrived. Alone, together.
There's an out of place assortment of grapes straight from the hands of the Romans that sold Vesta for a couple of acres of Monsanto's land.
A flute of milk. Wait. Yes, that's accurate.
Everyone is eating it.
Everyone but me.
I'm reading about the dragon lady from Game Of Thrones. A show I don't like. And the opening of the article yells about Emilia the Dragon Lady cruising the Santa Monica Pier in an Air-Conditioned SUV, dressed in pastels from Prada and American Apparel. And I have a glass of water. Not plastic, glass. Actually, a goblet. A Goblet Of Water with the goddamn Dragon Lady in pastels in an AC'd SUV on the Santa Monica Pier.
I am First Class.
First time ever. On my 100th flight. I counted last night when I couldn't sleep. Business class a ton. Economy even more. Never First.
My brother flies frequently for work. So he passed along his frequency to me, because I am too poor to afford any ticket. So I go, from Massachusetts to Arizona.
My brother moved to Arizona in 2004. But I'm not going to see him. Though he's my one of my favorite people, ever. I'm flying first class, to Chicago, then Phoenix, to see my parents. They moved to Sun City West in September of 2012. Now it's July 2015. And Emilia and I are flying to see them. Well, my Mom specifically. The Dragon Lady is driving the SUV to the desert from The Pier. She's completely dolled to the teeth in pastels, on route to see my Mom with me and my Goblet Of Water.
Because my Mom has cancer.
I don't want continental breakfast. I have another early flight. It also serves breakfast. I ordered it anyway, though. Because I decided to give it away. No, not to some veteran in the back. Or some wayward-looking, gaunt child in 32C. Just to some unsuspecting gent who is awake.
"You hungry?"
"I am, actually"
He has a Kansas City Chiefs jersey on. His early onset grey glinting in the checkered sunrise that shoots through the only open window shade. Everyfuckingbody else back here is asleep.
"I don't want this. Do you?"
"Sure, thanks!"
I turned to walk back to my seat and quietly
"Hey"
"Yeah?"
"Can't you get in trouble for this?"
"Oh yeah!"
"And you're not worried?"
I took a fairly deep breath, for me.
"Worried? Emilia the pastel wearing, dragon racing, cancer killing, SUV driving beauty can't be stopped. She gave me a goblet of water. And to you? Monsanto's Namesake."
His face was predictably crooked.
Pretty sure I'm getting no-fly-listed when we land.
Worth it.
New song alert!
A VERY ROUGH mix of a new song from the forthcoming *White Flood* record. CLICK HERE TO LISTEN FOR FREE!
Recorded by Joel Stroetzel.
Mark Schwaber - throat, guitars, bass, drums
Joel Stroetzel - keyboards
Remember, there's still a lot of work to do on this one, sonically.
Hope you enjoy!
All shares and comments are GREATLY appreciated!
xoxo
Hi all,
I finally have one place that houses nearly all of the music (of my own) that I made for the 15 years between 1993-2008.
CLICK HERE to access all of these things, cheaply.
home. - my band from 1993-1995. For the first time ever, the original 5 song demo and another 8 previously unreleased songs are now available at this site, and only at this site! A mere $9.99!
hospital. - my band from 1996-2001. I made a compilation of songs from our 2 releases, hospital. (1996) and 16 Endings (1999). Only $6.99!
My 3 solo albums - Two Years And Thirty Minutes (2004 - $7.99), The Killing Card (2006 - $7.99), and the previously unreleased Those You Trust (2008 - $9.99)
Any and all support is so greatly appreciated!
Keep an eye out for a round of shows this Fall, I'd love to see you all out and about.
xoxo
I'll see you in one of the circles.
All love, always. M PS - I don't have any answers, but I definitely have a conversation. If you need, don't hesitate. My door (message box) is always open.
Just revisited The Fisher King for the first time in, what must be, nearly two decades. It's such a monumental victory across the board. Bridges (who, at this point, must be considered my favorite actor. Alongside Oldman), Williams, Ruhl, and Michael Jeter (also forgot that Tom Waits makes a bad ass cameo) are simply wonderful. The writing is so aware, so real, and so wise without being pretentious. The cinematography and direction are a dreary pitch perfect. It's one of the most loving things ever captured on film. It should be shown during the studies of empathy in Psych classes. It's depth, mid-Atlantic.
Of course, it stirs very deep pools for me. There are substantial parts of who I am that can relate to numerous elements of every character. And a portrait of my own growth (at least that's how I perceive it). There's the derision of mental illness, the subtle monster of the illness itself, the suicidal inclinations, the unbridled fantasy world, the deep hatred of humanity, the addictive solution, love forsaken and pursued, hilarious antidotes, the calm knowing voice of altruistic reason, and the seemingly endless pursuit of peace. And that's only a small selection of notions captured. It's a film that resonates at a higher frequency.
So, I find myself still reflecting on Robin Williams. It hasn't really ended, just taken on a different shape. Because his life, and death, were far too complicated for a twitter worthy world of here today, gone in an hour (anyone remember the 200 Kenyan women? Yeah, exactly). I've had some really great discussions about the man himself, and the subjects that he continues to raise (like any great figure) from beyond the grave. Many in depth, articulate, and even punchy moments. None finer than this. Sent from someone incredibly important to me. I print it here anonymously, as I feel it applies to everyone on a organically profound level. I hope you allow yourself to read this openly. And most importantly, with empathy.
"The problem is pretty simple, IMHO. The society views the artists and creative types as weak, and rolls their eyes when they hear we're depressed, tell us to buck up and get a job.
Meanwhile, the truly mentally ill- the soulless, value-less, the sociopaths march happily through business school and unleash their shit world-view on everyone. Those lucky enough to be too dumb or unobservant, just nod their little bobble-heads and chant, "Well, that's the way it is so we gotta do it, derpy derpy doo!"
Meanwhile it grinds on the more astute, who eventually grow weary, and, being decent folk realize they kind of can't go sticking steak knives in the aforementioned sociopath's temples. Bad form and all that. So they say, "Fuck it. Give me the pills" or whatever.
We're encouraging mental illness. We're curing sanity."